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**Le Gitalamkara – L’ouvrage Original de Bharata Sur La Musique

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**Le Gitalamkara – L’ouvrage Original de Bharata Sur La Musique

**Le Gitalamkara – L’ouvrage Original de Bharata Sur La Musique

Book Details

  • Publisher: Institut Francais De Pondichery

  • Author: N.R. Bhatt

  • Language: Sanskrit and French

  • Edition: 1987

  • Pages: 232

  • Cover: Paperback

  • Dimensions: 24 cm x 16.5 cm

  • Weight: 350 gm

About the Book

Le Gitalamkara presents a critical edition and French translation of an important classical Sanskrit treatise on music traditionally attributed to Bharata. This scholarly volume explores foundational concepts in Indian music theory, including melodic structure, rhythmic principles, and aesthetic foundations that shaped early classical traditions. Featuring the original Sanskrit text alongside a detailed French translation, the book offers valuable philological insight and musicological analysis. It stands as an essential reference for scholars, musicians, and researchers interested in Indian music theory, Sanskrit literary traditions, and the historical development of performing arts in South Asia.

$3.73
**Le Gitalamkara – L’ouvrage Original de Bharata Sur La Musique
$3.73

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Book Details

  • Publisher: Institut Francais De Pondichery

  • Author: N.R. Bhatt

  • Language: Sanskrit and French

  • Edition: 1987

  • Pages: 232

  • Cover: Paperback

  • Dimensions: 24 cm x 16.5 cm

  • Weight: 350 gm

About the Book

Le Gitalamkara presents a critical edition and French translation of an important classical Sanskrit treatise on music traditionally attributed to Bharata. This scholarly volume explores foundational concepts in Indian music theory, including melodic structure, rhythmic principles, and aesthetic foundations that shaped early classical traditions. Featuring the original Sanskrit text alongside a detailed French translation, the book offers valuable philological insight and musicological analysis. It stands as an essential reference for scholars, musicians, and researchers interested in Indian music theory, Sanskrit literary traditions, and the historical development of performing arts in South Asia.

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